It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. Overall, the family’s design is clean, and straightforward and works brilliantly for blocks of copy and headlines alike. Function: This feature makes all variations of a selected character accessible. In addition to the standard styles ranging from ultra-light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off-screen readability at any size alongside heavyweights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. This is not a pure geometric as the horizontal strokes are much thinner as compare to the verticals. There are only a few fonts out there that are capable of competing with this font for designing purposes. This family is not only an update though, in fact, it is the expansion of the original concept that takes the Avenir Next design to the next level. Avenir Next® Condensed Designers: Adrian Frutiger, Akira Kobayashi, Adrian Frutiger Foundry: Linotype Classifications: Sans Serif, Geometric Sans Buy from 97. The Avenir Next family contains 32 designs: eight weights ranging from UltraLight to Heavy of roman and italic, in normal and condensed proportions. This is a sans-serif typeface that was designed by Adrian Frutiger in the year of 1988.
Avenir Next Font Pro is a new take on a classic face-it’s the result of a project whose goal was to take a beautifully designed san and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family.
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